[Intro]

Seven p.m.
One cursor blinks.
The sentence
will not finish itself.

[Verse]

The office emptied after six.
The cleaners move between the desks.
A cursor waits inside the draft,
TitanBank: Critical Next Steps.

Her notebook opens to the page
where Sales once circled Friday's date.
The ink has bled beneath her thumb.
The honest sentence will not come.

[Chorus]

No confirmed date yet,
no number I can safely set.
I know that isn't what you need,
but I won't make another debt.
I'd rather give you truth tonight
than one more promise to forget.

[Verse]

She calls the engineer at home,
not to demand, but just to know.
The answer comes without disguise:
"We haven't found the fault below."

She asks, "What would an estimate take?"
"Two days to trace, then we can say.
And Q-A needs data built the same.
Don't give them Friday. Don't give a date."

[Pre-Chorus]

The truth is thin, but it can stand.
A false date breaks in every hand.
She types the words she used to dread
and lets them live instead.

[Chorus]

No confirmed date yet,
but here is what the team has set:
two days to isolate the cause,
then scope the work and test the threat.
I'd rather give you steps that hold
than one more promise to forget.

[Piano Interlude]

[Verse]

"This answer is not good enough,"
the reply arrives at seven-ten.
Rosa reads the sentence twice.
She does not wrap the truth in fluff.

She writes, "I understand the cost.
Your confidence has rightly dropped.
Tomorrow I will bring the teams.
You'll hear what failed and what can stop."

[Bridge]

There is courage in a date
when evidence can bear its weight.
There is cowardice in "soon"
when hope is all that fills the room.

[Final Chorus]

No confirmed date yet,
but every owner now is set.
The logs, the scale, the test, the scope—
I'd rather face your anger now
than make another false commitment.
She presses send at seven-twelve.

[Outro]

Sent.
No celebration. No relief.
Only one honest line
where a promise used to be.
